Keo Keo Ro ("in layers"), 2023-2025 examines the regeneration and urban transformation of London, a city that embodies a complex narrative of change and contradiction. I question the ideas of access, authority, utopian aspiration, and ownership. My practice employs processes of appropriation, repetition, physical layering, and deconstruction, utilising materials commonly used in photography and architecture.
ON (A)FOLDABLE HOUSING, 2024.
Produced for Four Corners Gallery London with the support of Film & Photo League Archive, Scottish Power Foundation, Camera Create, CREAM University of Westminster, Heritage Fund, Tower Hamlets London Borough Council, and Arts Council England. Production Assistant: Yimin Chen.
Goldfinger I, 2024
Poplar, 2023.
269 Barking Road, 2024.
Stress free zone, 2024.
Goldfinger III - A, 2024.
Sivill House, 2024.
Robin Hood Revisioned, 2024.
Lillington and Longmoore, 2025.
Goldfinger II, 2024.
Sulkin House Love Tower, 2024
Keeling Inflation I, 2025
Keeling Inflation II, 2025
Goldfinger III - B, 2024.
Alexandra and Ainsworth I, 2025
Alexandra and Ainsworth II, 2025
Children of the Garden City, 2024.
Photography serves in different ways as tool for documenting the built environment and eventually to interrogate how space is shaped, inhabited, remembered, and ultimately reimagined. Some photographers when turn their gaze toward cities, they do more than capture façades or skylines—they reveal the social, political, and historical forces embedded within architecture (…) In Keo Keo Ro, Taejay Lee approaches London not merely as a physical territory but as a palimpsest of ideologies and histories. Through processes of layering, décollage, and reconstruction, Lee translates the city’s cycles of demolition and redevelopment into a visual language of fragmentation and repair. The materiality of his process—blueprints, transparency film, grid paper—evokes the shared foundations of photography and architecture, positioning his work at the intersection of image-making and spatial planning. By juxtaposing personal photographs with archival materials and commercial imagery, Lee questions who has the authority to design, occupy, and profit from urban space. His images become tools for unearthing hidden narratives and for examining how the forces of capitalism and memory shape the contemporary city.
Looking To Question The Built Environment by Steve Bisson. Urbanauitica, 17. Dec. 2025
Interview at Didots Global Artistic Visionaries: https://didots.com/interviewteye
NOTE:
-Aesthetica Art Prize Exhibition, 19 Sep 2025 - 25 Jan 2026, York Art Gallery, UK.
-Screened during NOW FILMING: Art, Documentary and Resistance in 1930s East London, 23 Jan - 22 Feb 2025, Four Corners Gallery London, UK.
-Screened during Living With Buildings VII, 2nd July, 2025, PVC Coventry, UK.
-CREA 2025, Special Mention for the Quality of Research, Cantieri del Contemporaneo Venice, Italy.
-Aesthetica Art Prize, Long Listed, 2025, UK.
-Published by ArtDoc 2025 Issue nr. 1 Beyond the Frame.
-Winner, Global Artistic Visionaries, Didots Global Talent Showcase 2024, UK.
-Urbanautica Awards, Representations of Space, Architecture, and Conflicts Shortlisted Portfolio, 2024, Italy.
